#yai x jom | Explore Tumblr posts and blogs

wen-kexing-apologist · 1 year ago

Text

LET’S TALK ABOUT SEX!!!!!!

HELLO AND WELCOME TO

ANALYSIS ESSAY NUMBER 69!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Yes. Yes I have, in fact, written 69 ridiculously long pieces (and some surprisingly short) pieces on my silly little gay shows. This is, obviously, not the first time that I have done a scene breakdown, and it’s certainly not the first time I’ve done a sex scene breakdown, BUT I have been itching to write about this one since I watched I Feel You Linger in the Air Episode 8. There was no way in hell I was going to let essay #69 go unrelated to sex, so I had to wait until another essay (thank you Hypocrisy) could be written and posted.

In a feat of truly perfect timing, @waitmyturtles sent me an ask about what other physicality (besides hands) I look at to try to understand a character’s psyche, I gave her my wayyyy to long explanation of what it is I look for, and not even 24 hours later the most perfect example of expertly executed physicality graced my screen with the opening scene of I Feel You Linger in the Air. So, I am dedicating this post to Turtles...

and I'm writing a sex scene break down!

We open with Yai and Jom rushing in to the scene, Jom being pulled by Yai. Which, I mean any forearm, wrist, or hand holding that Yai and Jom are doing is not technically visible to us (it’s happening just off screen) but we know Jom is being pulled at first because of how Bright and Nonkul are moving, Yai enters the room first and Jom is practically tripping to catch up with his motion, but beyond that we know Jom’s being dragged by Yai because of the way Bright and Nonkul’s upper arms are pressed together. We’re off to a great start in Bright and Nonkul’s performance already because of how glued Yai and Jom seem to be. With just the way they are holding their bodies the tension is already palpable, but the magnetism between the two of them is heightened by the fact that the actors are ensuring Yai and Jom don’t break eye contact. Because of this, even though as the motion continues, and they turn to face each other having now placed physical distance between them, you can tell they are still drawn in. You aren’t losing any ounce of desire when they are parted.

The way Bright stands, the way Bright has set his face, angled his head, etc. makes Yai seem like he is looking at Jom as if hypnotized, transfixed, enamored. Both of them are just staring at each other, and Jom’s hand slowly slides up Yai’s arm and Yai takes that movement as a sign to come in close, and while Yai was initially shy about (presumably) getting aroused during the olive oil scene in Episode 7, he is horny and ready to fuck now at the beginning of Episode 8 and so he just fucking goes for it.

You know when Yai is about to lean in for the kiss, because in a fraction of a second he breaks eye contact with Jom to look down towards his lips. But before Yai performs any additional progression towards kissing, Bright plays out the brief moment where Yai is gathering his courage. How do I know Yai is taking a second to psyche himself up? Because Yai pauses, he closes his mouth a little tighter, looks down at Jom’s lips, and he swallows hard. That’s him psyching himself up to just dive right in and go for the kiss. And he doesn’t have to hesitate long, and he doesn’t have to be chaste with this kiss cause Jom and Yai got over the initial tension point when they made out at the end of Episode 7. Without saying a word, we know Jom is In To This Kiss, because he immediately fixes his lips around Yai’s upper lip. Jom meanwhile is standing almost ramrod stiff and straight like he usually does

@shortpplfedup says when she’s looking at kisses, she’s looking for sticky kisses. My own interpretation of sticky kisses includes moments like in The Eclipse where there is a little line of spit that keeps the kiss lingering for just a second more. In this case, what I would personally consider a sticky kiss is a result of Yai pulling at Jom’s lower lip when Jom pulls his head back slightly for some air and to change the angle of his head. There is no space between them, in fact Yai so thoroughly wants to fuck Jom, that Jom is almost tipping over with how much Yai is trying to press them together. Yai’s hand is roaming, moving up and down Jom’s arm, while Jom is standing there, his hands are still, one wrapped around Yai’s arm, one resting at his neck. Jom is meeting all of Yai’s energy and excitement by standing firm. Because if he did not, it’s possible he’d topple over.

And as characters this makes sense. Jom has been in at least one relationship before, there is no way he hasn’t been sexually active in the past. Jom is the more experienced one in this relationship, and so he is going to have to be the support Yai leans on for his first sexual encounter, even if we don’t see that far in to their evening.

gif by @alejunsu

And this works for Yai and Jom’s characterization as well. Jom was the one with more hesitations around beginning a relationship with Yai. Jom is much more tuned in to the potential consequences of being queer in this time period. And it’s not that Yai isn’t, it’s just that he’s much more caught up in his own little world, and his feelings for Jom that he isn’t as rigid about how he engages in intimacy.

This kiss is tight, and solid, and you can hear the breathiness between them when they start the kiss. It’s believably impactful to them, as in the combination of eye contact, touch, posture, and even breath here makes me believe they are attracted to each other, and really fucking horny. And I swear I can almost feel Yai and Jom’s heart rates increase with how well Bright and Nonkul are selling this performance.

Yai is ready to fuck like, yesterday, but Jom doesn’t want him completely rushing in to the sex, and I can tell this because Jom pulls back, breaks off the kiss, and starts talking to Yai about the rain, about the party, these little reminders that they have places to be, and people to see, and they can’t afford to get caught. Bright’s face here, in the moments right after Jom pulls away are so intense. The way he furrows his brow ever so slightly. The way his eyes are see in to Jom, the parting of his lips. Bright is, to me, selling extremely well the fact that despite the fact they have once again separated, Yai is still in that kiss. And there is this beautiful little moment from Nonkul too where he breathes out like his mouth is on fire or he’s trying to catch his breath. Nonkul has Jom pat Yai’s arm once, because he’s trying to lighten the mood a little bit, to put more emotional space between them. Jom is the one stopping the kiss, Nonkul is the one that has to sell the idea that Jom is both slowing down the encounter, and also still worrying about being caught.

And you know where Yai’s response is going to go “Forget it, Jom. Now there’s only two of us in the house“ because of the intensity by which Yai looks at Jom. He’s transfixed, and during this conversation with Jom, Yai’s eyes constantly slip downwards towards Jom’s lips, like…practically every second. Yai goes in to continue that kiss, with an intensity that I do not think he’s ready for when it comes to actually having sex for the first time. In part because this kid does not know what he is doing, and Jom does. And Jom hasn’t had sex for quite some time because he was in a monogamous relationship with a partner who was overseas. So he puts his hand up to Yai’s face, and presses in gently, making a little hmm sound as he does it.

gif by @charlidos

Again, Nonkul keeps Jom stiff, his fingers are all straight, there is not even a whisper of a relaxed curve to them. Which tracks for Jom, because everything we have ever seen in the way Jom exists, in the way Jom moves, is very rigid. And it stops Yai immediately. Jom is looking straight at Yai, and Yai is looking straight at Jom’s lips. But this entire action feels familiar and comfortable because they have developed a trust in one another, and because Yai cares enough about Jom to stop and listen at the slightest indication. Yai pulls back and that’s where Nonkul helps assert that Jom is in fact on the same page, is interested and enthusiastic about having sex with Yai, and he’s just trying to shift the energy and speed of their encounter, because the second Yai stops, and Jom is about to offer up a suggestion, Nonkul turns Jom’s gaze directly to Yai’s lips and he lets them linger there for far too long, his fingers too continue to rest gently on Yai’s lips long after they are needed.

Jom doesn’t look Yai in the eyes again until he says “You’re soaking wet, Khun Yai. Why don’t you let me undress you, so you don’t catch cold?” Jom leans in closer when he says this, he whispers in a way that is intended to seduce Yai. And we see some more physical changes in the way Nonkul is carrying Jom. Jom’s eyes are alight and happy, there is this soft and extremely fond smile turning up the edges of his lips. And we see him relaxing slightly in to this moment because his fingers finally relax and curl up in their resting place on Yai’s shoulder.

Nonkul has Jom slightly shifting his head so Jom is looking up at Yai more through the top of his eyelashes to be more alluring. He has this soft, fond smile on his face. And it is in the motions and movements like this one where I see what Nonkul was saying about this being the most femme he has ever had to perform (even though, I think we can all agree Jom isn’t really femme). Bright has Yai pick up that small smile too, and he shows that Yai is indeed very interested in Jom helping remove his clothes, because Bright ensures that Yai cannot stop looking at Jom’s lips.

gif by @wanderlust-in-my-soul

You should watch this clip

And just like that Jom has changed the pace of the evening. With a little whisper, and with some very slow, intentional movements in the way he takes off Yai’s tux jacket. And because Yai and Jom have had so much physical space between them for the past thirty seconds, it is time to re-establish Yai and Jom’s needs for physical closeness. Bright and Nonkul establish a sense of familiarity and comfortability in how Yai and Jom interact with each other’s bodies. Nonkul does so in the way he has Jom pull Yai close to him to take off his bowtie. It is almost as if they are hugging one another, and in part they are, or at least they are providing each other a little space to rest.

And we know their arousal, their desire to fuck isn’t stalled or stunted by any interruption. Jom pumps the brakes a bit, but their desire, their attraction, is palpable. And that vibe is assisted by Bright having Yai lean in deeper, by having Yai turn his head and move slowly toward Jom’s neck as if drawn by string or magnet while Jom is fiddling with his bowtie. And within the span of a few seconds, Yai goes from drinking in Jom’s scent to pressing a soft kiss or two to his neck. And Jom’s enjoyment of that action is shown in the way Nonkul has Jom close his eyes briefly in pleasure, and his head jerks a bit to the side as if allowing Yai better access to his neck while he’s fiddling with the clasp of Yai’s bowtie.

gif by @wanderlust-in-my-soul

The seduction continues as Nonkul and Bright ensure their characters do not break eye contact one the bowtie comes off. I don’t even really know how they are doing it, but there is such a clear internal monologue of impure thoughts cycling through both their heads as Jom starts unbuttoning the collar of Yai’s shirt, while Jom’s still staring, eyes shining brightly, directly at Yai. And Bright plays Yai’s impatience very well, because he lets Yai still wait calmly, while also showing Yai cannot bare to be this far apart (like…two inches) from Jom, so he rests a hand on Jom’s neck creating a moment of skin to skin contact, but he has to take Jom in so he only lets his hand stay for a second, before he’s moving it in lines around Jom’s body.

Here again, is why I pay so much attention to their hands. Because Yai has been the far more relaxed character, and so when he puts his hand on Jom’s neck, his fingers curve, when he traces lines down Jom’s torso, his hand is curled almost into a fist. And there is just this beautiful moment of observation to me, where Jom begins to remove Yai’s pants, and is focused on the task, and Yai is just watching Jom, watching him focus. It is only when the pants have been unbuttoned that Yai joins Jom in looking downwards.

These characters cannot help but be drawn to each other, the tension between them is building and builidng and Bright and Nonkul show that by having Yai and Jom get, with Jom’s eyes closed, so close to one another they could have stolen a kiss. So close in fact that their torsos are touching, they are pressed up against each other while Jom works pulling Yai’s pants down. And even if they don’t bring their faces together, they don’t steal those kisses, they don’t break the tension, they are certainly breathing each other’s air.

“Let me do the same for you,” Yai says and God these two are so good at making their need for each other palpable. As Yai begins to unbutton Jom’s shirt both Yai and Jom’s eyes are moving rapidly, up, down, up, down, lower, lowerrr, back together, glued to the other’s face.

gif by @wanderlust-in-my-soul

Jom gives the shyest smile at having Yai care for him, concerned about Jom catching a fever, and being oh so careful with removing his shirt. And here we see Nonkul allow Jom to relinquish some control and let go of some tension in the evening, because Jom drops his hand from Yai’s chest and let’s Yai unbutton and pull off his shirt. A moment for Yai to stand on his own, rather than to have support from Jom like he has had during their kiss and during their foreplay as it were. Yai moves for Jom’s pants, removes them, and they are soaking each other in, reveling in the feeling of one another. But we can’t have Jom wait too long for physical contact, because we want these characters to touch each other, because these characters want to touch each other. So we get a beautiful moment of Jom’s hands coming to wrap around Yai’s wrist, once again relaxed, and we see the band Yai tied around Jom’s wrist in Episode 2, a tangible, visible, item that reminds us all of their connection.

I think we joke a lot about “exploring each other’s bodies” as a line. But that is objectively what they are doing here, in this gorgeous gorgeous moment of hands, of fingers sliding all over each other. They are gentle, light, and I can easily get the sense through the screen that their skin is on fire wherever they’re bodies have met. And Bright adds a piece of characterization to Yai, by having Yai hold Jom’s hand the same way that he did when he was drunkenly reciting poetry with the biggest heart eyes the world has ever seen. And he is doing the thing that, in my opinion, makes or breaks the believability of attraction, care, or romance between characters, which is that Bright has Yai move his thumb, drawing these tight little lines on the top of Jom’s hand while they are holding hands. It is truly not much of an understatement at all to say that if two characters are holding hands, I will be looking to see what their hands are doing. Are they staying stationary, or are there these little absentminded movements that sell the idea that these characters are thinking about each other, and enjoying the feeling of one another, rather than just performing the action of holding hands.

gif by @wanderlust-in-my-soul

In case we ever wanted to underestimate the importance of microexpressions and micromovements, we can’t, those are the things that really make or break a performance. (And for those who may have difficulty reading facial expressions, I get you, trust me, I’ve said it before but it can be really really hard for me to read microexpressions in actors, which is why I will often rewatch scenes, or watch other shows the actors or in, or like I did for this write up I slowed that shit down to half speed so I could watch for every movement, and rewound in 5 second intervals like 20 times to make sure I wasn’t missing anything.)

But they look like they are studying, committing to memory, Yai especially. Because while Nonkul has Jom spend most of this moment staring at one spot on Yai’s chest, Bright has Yai’s eyes follow the movement of his hands.Yai leans in and Nonkul has Jom swallow hard, and lean in slightly for a kiss. Bright has Yai keep moving, his lips locking on Jom’s shoulder, and moving up his neck, because the tension has almost reached its breaking point, and they both know what will happen the second their lips meet. So they delay, they let the tension build. They pull each other close, they hold each other tightly, you can see it in the way they move, the way their muscles tense. And as they face each other, with their desire finally starting to boil over, Yai works his way back to Jom’s lips slowly, he’s caught on to the pace Jom set. There is a light, soft, and quick kiss to Jom’s cheek, and then a second attempt by Yai to kiss Jom’s cheek or nose, that Nonkul interrupts by having Jom now be the impatient one, turning his head so Yai’s kiss slides to meet Jom’s upper lip.

And then the tension finally breaks, the desire overwhelms them, and they are forceful with their kisses, and pulling each other close. Nonkul is showing how in to this Jom is in the way he lets Jom melt in to this kiss. How he has Jom pull himself so fully in to Yai’s arms, so they are chest to chest without any room between them.

gif by @wanderlust-in-my-soul

And Jom is kind of a tense and awkward person in general, so it makes so much sense to me, as a character that Jom’s fingers would at this point stay stiff and straight, because we are still progressing in to a part of the evening Yai may need more support in. Jom is certainly far more relaxed as a person when he’s with Yai, but I don’t think he would be fully able to relax in to the sex. Hell, he can’t even relax in bed afterwards because he sees himself in the mirror. But just in the way Jom holds himself, in the way Jom smiles, in the way he pulls Yai in, we know that being around Yai is changing him. That he is generally more relaxed when they share space, that he is happier when Yai is near, and we know that Jom is very ready to fuck, he’s just also more aware of the potential consequences of getting caught.

Yai leads them to bed, and if we hold Jom and Jom’s posture as acting almost as a support for Yai, then it is very critical and important in my eyes, that Yai uses the bedpost to steady himself as he lays Jom out on the bed. Yai is learning how to support himself. Jom lays underneath him, and as far as we know he’s keeping his hands firmly on the back of Yai’s neck. Grasping on to him like he doesn’t want to let go, while Yai traces random lines across Jom’s arms, torso, and neck. And when they pull away, we know that Jom is very in to everything that is going on, and that he’s starting to lose himself a bit in the feeling of this, because Nonkul has Jom wait a few seconds to open his eyes and look up at Yai after they break apart. Meanwhile, Bright maintains Yai’s absolute obsession with Jom, by having Yai staring directly at Jom while Jom’s eyes are still closed. Study him, observing his reactions, ensuring that Jom is feeling pleasure. And the sexual tension isn’t ruined by yet another physical separation, even as they are not actively kissing in that moment, their progression towards sex does not feel like it is coming to an end. And that has to do with the fact that Jom is still running his hand along Yai’s neck, lacing his fingers through Yai’s hair, with his fingers relaxed.

gif by @wanderlust-in-my-soul

When they confess their love for one another, Nonkul has Jom swallow hard, hearing Yai tell him he loves him, fighting back a small smile. And Bright really commits to showing the intimacy that has developed between Jom and Yai in the way he has Yai press kisses to the inside of Jom’s palm, to his knuckles, up his arm, and back to his neck. And like I said above, Nonkul sells the effect of that electricity between Yai and Jom in these little micromovements, in the way Jom’s finger dig slightly in to Yai’s cheek, and the way his thumb twitches when Yai presses a kiss to his knuckles, and the way his fingers flex (a la Pride and Prejudice [2005] if you ask me). And he does the same as Yai kisses up his arm and to his neck, in the way Nonkul has Jom close his eyes, and press his lips together, and tilt his head slightly upwards.

And that’s it, that’s the entire nearly five minute scene. I promise I am trying to get better about my essay lengths, but I think the level of work that goes in to these moments are deserving of being discussed in detail. Nonkul in an interview said he views acting like a sport, and I think he’s fucking right. The level of knowledge and control you have over your body to sell scenes like this one, to make people believe in the romance, is super fucking hard.

gif by @pharawee (using this gif as an example of a bunch of small movements Bright and Nonkul do that sell Yai and Jom's love for one another) I for one believe Jom and Yai love each other, want each other, are drawn to one another, and that is 100% because of Nonkul and Bright’s performances. And they have a really fucking hard job in part because Tee Bundit is not really a romance guy. Yai and Jom’s love for one another is the emotional backbone of this show, but the story isn’t focused on the romance itself, it’s focused on Jom’s experiences as a servant, on the struggles of being queer, on the mystery of how to get home, of past Jom being haunted by his present and present Jom being haunted by his past. There are so many moving pieces in this story, but we have to feel for these characters when they are inevitably separated. The way Nonkul and Bright play this scene, has thoroughly convinced me of the care they have for one another

#i feel you linger in the air #ifylita #ifyl #yai x jom #yaijom #bright x nonkul #nonkul chanon #bright rapheephong #dee hup house #tee bundit #ESSAY 69!!!!!!#wka long post #i feel you linger in the air analysis #ifylita analysis #i feel you linger in the air meta #ifylita meta

332 notes · View notes

clairedaring · 1 year ago

Text

Nonkul and Bright's experience in queer media prior to I Feel You Linger In The Air

So... I've fallen down the huge rabbit hole that is I Feel You Linger In The Air (even though I was already down bad earlier this year when I finished the novels) since the airing of the series. I've tried my best to consume everything translated IFYLITA-related content and now I'm here to summarize a few points I love about the (immaculate) casting of Nonkul and Bright.

For Nonkul

Prior to IFYLITA, Nonkul has had a few BL-adjacent projects:

2014 indie gay film "Love's Coming", where he plays a friend of the gay protagonist.

2016 sitcom series "Bang Rak Soi 9/1", where he plays a student with a crush on his straight best friend (main character played by Tongtong, who you may have known from To Sir With Love or Khun Chai)

2019 chinese bromance "Dive", where he plays the 2nd main lead who develops "strong friendship" with the protagonist as swimming teammates

But IFYLITA marks Nonkul's first time playing in a BL series where he is the protagonist.

Back in 2021, Nonkul posted this Q&A video on Facebook, where he answered the question "If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?". To which Nonkul went on a full long discussion on how he doesn't view BL as a genre and talks about what kind of role he would want to play (full clip below).

youtube

Transcript:

If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I'm gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. "Like, wow, that's my type!", I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. - Nonkul

For BL Series, I think I can work with everyone. I don't think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who didn't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel 'Peremo'] I would prefer to choose the "heroine" role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a "heroine" role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo']. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I'm not only fixated on this novel. I'm also open for many more BL series if there is an interesting plot. - Nonkul

Interestingly the 3 checklists Nonkul mentioned his dream BL novel/character 'Peremo' had was 1. playing the 'heroine' role; 2. it has a LOT of action; 3. it is also sci-fi fantasy genre. And then in 2022, Nonkul booked 2 action dramas and IFYLITA which checked off criteria 1 and 3 of his wishlist (he mentioned it in this interview).

In 2022, at the beginning of IFYLITA announcement event, Nonkul mentioned that one of reasons that he accepted to play Jom in IFYLITA is that the story didn’t just put love scenes in just for fan services. Previously he had rejected some series because of that.

Nonkul read the novel prior to the acceptance of the role and you can tell he put a lot of care into bringing Jom to life (Nonkul immediately tweeting his apology after the pilot trailer is out about him accidentally using right hand to sketch (because Jom is left-handed), discussing various novel details with fans of the book at event, discussing how to punch Ohm like Jom would instead of punching him regularly as he would in other series, even giving book-film comparison commentaries in the BTS of the episodes)

Nonkul's physical and facial features are also so similar to Jom in the novel, especially his Chinese heritage is taken into account by the casting directors (Jom is also Thai of Chinese heritage iirc). Honestly kudos to P'Tee and co for snatching Nonkul.

For Bright

Prior to IFYLITA, Bright has played a supporting male gay character in the CH3 Lakorn 'Rivalry' and starred in PP Krit's MV 'It's Okay Not To Be Alright'.

But IFYLITA still marks Bright's first ever male lead role (ngl I was quite shocked when I found out about this because like the man is SIGNED to CH3, what are they doing?) AND his first official "BL" series.

Bright also accept the role of Khun Yai after he went to buy the novel and read them.

Before filming, Bright practiced a lot to portrayed Khun Yai as close to the novel as possible (the way Khun Yai walks with hands behind his back, his posture, him speaking in the different local dialect...)

Here are some translated interview questions Nonkul and Bright did before filming IFYLITA for bangkokbiznews that I found really interesting and want to share (original Thai article) (translated by twitter user lingerair/eugust)

Question: How is your individual characters? How are they similar or different from you? (1)

Nonkul: Jom and I are very different. Jom has soft and sensitive part. He cried so many times, and often gets upset with things that if it's me, I wouldn't be upset like him but his tears is already flowing. Bright: Khun Yai is quite similar with me. He's calm and wise. It's easy to be Khun Yai when I read the script. I try to put myself as Khun Yai. I'm Khun Yai and Khun Yai is me. I always think like this to be able to moderately act as Khun Yai.

Question: BL series has become a powerful "soft power". What do you about this? (2)

Nonkul: To be honest, whatever entertainment media it is, I view all of them as soft power but can't deny that during this period foreigners are especially interested in Thai Y series. I think it's a good thing. In the end, no matter what kind of content they are interested, it's a pleasant thing. Bright: Bright agrees (to that) very much. There are so many BL series with many fans both in and outside of the country, thus I think that it's good quality soft power in presenting a lot of things. Such as "I Feel You Linger In The Air" has a lot of Thai culture incorporated it in. Nonkul: Since it's period (series), it won't look like we're forcing Thai culture into (the series). We want foreigners to learn about how was it during the era and how it affects the present.

Question: This novel has a lot of fans waiting, do you feel pressured in taking a role in this? (3)

Nonkul: There's a little bit of pressure but personally, when I've worked till this point, I'm kinda used to this. I can say that I already have some expectations (for myself) and receive some pressures as a motivation in working but I'm not that stressed by it. Bright: Similar to Non, I'm a little bit pressured but we will both do our best, everyone will do their best. Fans has expectations because they want to watch the adaptation. We'll do it in our way and we hope everyone'll likes it.

As a huge fan of the novel, I just love how much love Nonkul and Bright have for the original novel and the amount "homework", care and dedication they have to crafting their characters to be as close as possible. I really hope everyone who have reservation or hesitance watching I Feel You Linger In The Air because you didn't vibe with previous Dee Hup House’s productions, should still give IFYLITA a chance (or at least try watching Episode 6 & 7) because it is seriously unlike any previous DHH’s productions (in all aspects: plot, direction, pacing, cinematography, music, lighting, color-grading, overall production…)

For my post on Bright and Nonkul's preparation for IFYLITA